13th Dec, 2023 12:00

Fine Paintings, Works on Paper & Sculpture

 
Lot 19
 

19

ELIZABETH (BESSIE) MACNICOL (SCOTTISH 1869-1904)

PHYLLIS WITH A BOUQUET OF FLOWERS
signed B. MacNichol lower right
oil on panel
23 x 17.5cm; 9 x 7in
38.5 x 32cm; 15 1/4 x 12 1/2in (framed)

Property from a Distinguished Private Collection

Provenance
Richard Green Gallery, London
Purchased from the above by the present owner in 1999

MacNicol was a student at the Glasgow School of Art (1887-1893) under Francis Henry Newbery, who encouraged her to travel to Paris to study at the more liberal Académie Colarossi where women were permitted to study alongside men. MacNichol was thus one of the first wave of female artists from Britain to study in France. Frustrated by the chauvinistic attitudes she encountered there, however, she soon returned to Scotland where she exhibited at the Royal Scottish Academy and the Royal Glasgow Institute. In 1896 she stayed in the artists' colony in the fishing village of Kirkcudbright in Galloway on the Solway Firth, where she painted her striking portrait of Edward Atkinson Hornel (collection of Broughton House, Kircudbright), one of the Glasgow Boys, and the colony's leading proponent. The same year she exhibited at the Munich Secession. She married Alexander Frew, a doctor and fellow artist, in 1899 and set up a large studio at their home in Glasgow, but died in the later stages of pregnancy in 1904. Now counted as one of the fabled 'Glasgow Girls', her work is all too little known as much was destroyed after her death.

Sold for £14,000


 

PHYLLIS WITH A BOUQUET OF FLOWERS
signed B. MacNichol lower right
oil on panel
23 x 17.5cm; 9 x 7in
38.5 x 32cm; 15 1/4 x 12 1/2in (framed)

Property from a Distinguished Private Collection

Provenance
Richard Green Gallery, London
Purchased from the above by the present owner in 1999

MacNicol was a student at the Glasgow School of Art (1887-1893) under Francis Henry Newbery, who encouraged her to travel to Paris to study at the more liberal Académie Colarossi where women were permitted to study alongside men. MacNichol was thus one of the first wave of female artists from Britain to study in France. Frustrated by the chauvinistic attitudes she encountered there, however, she soon returned to Scotland where she exhibited at the Royal Scottish Academy and the Royal Glasgow Institute. In 1896 she stayed in the artists' colony in the fishing village of Kirkcudbright in Galloway on the Solway Firth, where she painted her striking portrait of Edward Atkinson Hornel (collection of Broughton House, Kircudbright), one of the Glasgow Boys, and the colony's leading proponent. The same year she exhibited at the Munich Secession. She married Alexander Frew, a doctor and fellow artist, in 1899 and set up a large studio at their home in Glasgow, but died in the later stages of pregnancy in 1904. Now counted as one of the fabled 'Glasgow Girls', her work is all too little known as much was destroyed after her death.